By Ruchika Gupta
English explanation – Sound of Music Part 2
CBSE class 9 English Lesson- The Sound of Music (Part II) Shehnai of Bismillah Khan Class 9 CBSE English Explanation, Summary, Difficult Words
Shehnai of Bismillah Khan CBSE class 9 English Lesson – The Sound of Music Part 2 . Detailed explanation of the lesson along with meanings of difficult words . Also, the explanation is followed by a Summary of the lesson . All the exercises and Question and Answers given at the back of the lesson.
- Shehnai of Bismillah Khan Introduction
- Shehnai of Bismillah Khan Class 9 Video Explanation
- Shehnai of Bismillah Khan Summary
- Shehnai of Bismillah Khan Summary in Hindi
- Shehnai of Bismillah Khan Explanation
- Shehnai of Bismillah Khan Question Answers
Introduction to the lesson
The lesson is about Ustaad Bismillah Khan. He was a renowned shehnai player in India. He is a legend because he did something which has historical significance. He played the shehnai on the day India got independence i.e 15th August 1947. At the Red Fort, before the Prime Minister of India, Pandit Jawahar Lal Nehru gave his speech. Before that Bismillah Khan played the shehnai in order to signify something auspicious. Something auspicious for the whole country was about to happen – India was about to get freedom. And so, on that occasion, Bismillah Khan played the shehnai and so, he is a legend.
See Video for Explanation and Summary of the Lesson
Bismillah Khan made a valuable contribution to the world of music through the ‘shehnai’. For this, he was honoured with India’s highest civilian honour – the Bharat Ratna in 2001. He hailed from a family of musicians. He improvised many new ragas with the shehnai and thus, placed it among other classical musical instruments. He won accolades on the international level too.
The Mughal Emperor Aurangzeb banned the playing of the pungi in his royal court. He disliked the sound and so, the pungi was termed to be a noisemaker. A barber tried to improve the pungi’s tone. He got a hollow stem, wider and longer than the pungi, made seven holes on it and blew into it, closing and opening the holes. It produced soft, melodious music. As this instrument had been developed by a barber called ‘nai’ in India and was played in the king’s court called ‘shah’, the instrument was named ‘shehnai’. The shehnai became a part of auspicious occasions. It was a part of the group of nine musical instruments that were played at the royal court.
Bismillah Khan was born at Dumraon, Bihar in 1916 into a family of musicians. His grandfather Rasool Bux Khan played the shehnai at the court of the king of Bhojpur. His father, Paigambar Bux and his paternal as well as maternal uncles were shehnai players. As a child, Bismillah Khan would visit the Bihariji temple to sing the Bhojpuri Chaita for which the king rewarded him with a laddu weighing 1.25kg. At the age of three, Bismillah Khan visited his maternal uncle, Ali Bux at Benaras. He saw him playing the shehnai and was fascinated by it. At the age of five, he started learning playing it. He would spend hours practicing, at the temple of Balaji and Mangala Maiya, by the banks of the holy river Ganga. The flowing waters of the river inspired him to improvise and Bismillah Khan invented ragas which were considered to be beyond the range of the shehnai.
At the age of fourteen, he performed at the Allahabad Music Conference and his talent was appreciated by Ustaad Faiyaz Khan. In 1938, he started performing from the Lucknow station of the All India Radio. The day India gained independence, on 15th August 1947, Bismillah Khan performed from the Red Fort and greeted the country through his shehnai. He recited raag kafi which was followed by Pandit Jawaharlal Nehru’s famous ‘Tryst with Destiny’ speech.
Bismillah Khan performed all around the world. His first foreign performance was in Afghanistan where the king was so impressed that he gifted him many souvenirs. Bismillah Khan composed music for two films – Hindi film titled – ‘Goonj Uthi Shehnai’ directed by Vijay Bhatt and Kannada film titled – ‘Sanadhi Apanna’ by Vikram Srinivas.
He was the first Indian to perform at the Lincoln Centre Hall in the United States of America. He also performed at Montreal, Cannes and Tokyo. In Teheran, an auditorium was named after him – Tahar Mosiquee Ustaad Bismillah Khan.
Ustaad Bismillah Khan said that music was India’s richest heritage and had to be taught to the children. Although he had travelled all over the world, he was attached to Dumraon and Benaras. Once a student asked him to set up a shehnai school in the USA and promised to recreate the temples of Benaras there. Bismillah Khan asked him whether he would transport the river Ganga also, as he was attached to it as well.
Bismillah Khan is a true example of a secular Indian as being a Muslim, he played the shehnai at the Kashi Vishwanath temple. For him music was above religious barriers.
The Snake and the Mirror Summary in Hindi
बिस्मिल्लाह खान ने ‘शहनाई’ के माध्यम से संगीत की दुनिया में अपना बहुमूल्य योगदान दिया। इसके लिए उन्हें 2001 में भारत के सर्वोच्च नागरिक सम्मान – भारत रत्न से सम्मानित किया गया था।
वह संगीतकारों के परिवार से थे। उन्होंने शहनाई के साथ कई नए रागों को सुधारा और इस तरह इसे अन्य शास्त्रीय संगीत वाद्ययंत्रों के बीच रखाअर्थात इसे भी एक महत्त्वपूर्ण वाद्ययंत्र के पदवीं दी । उन्होंने अंतरराष्ट्रीय स्तर पर भी वाहवाही बटोरी।
मुगल बादशाह औरंगजेब ने अपने शाही दरबार में पुंगी बजाने पर प्रतिबंध लगा दिया था। वह ध्वनि को नापसंद करते थे और इसलिए, पुंगी को शोर करने वाला यंत्र कहा जाता था।
एक नाई ने पुंगी के स्वर को सुधारने की कोशिश की। उसने एक खोखला तना प्राप्त किया, जो पुंगी से चौड़ा और लंबा था, उस पर सात छेद किए और उसमें फूंक दिया, छिद्रों को बंद और खोल कर ।
इस यंत्र ने नरम, मधुर संगीत का निर्माण किया। क्योंकी यह वाद्य यंत्र भारत में ‘नई’ नामक एक नाई द्वारा विकसित किया गया था और राजा के दरबार में ‘शाह’ के रूप में बजाया जाता था, इस वाद्य का नाम ‘शहनाई’ रखा गया था।
शहनाई शुभ अवसरों का हिस्सा बन गई। यह नौ संगीत वाद्ययंत्रों के समूह का एक हिस्सा था जो शाही दरबार में बजाया जाता था।
बिस्मिल्लाह खान का जन्म 1916 में बिहार के डुमरांव में संगीतकारों के परिवार में हुआ था। उनके दादा रसूल बक्स खान भोजपुर के राजा के दरबार में शहनाई बजाते थे। उनके पिता, पैगंबर बक्स और उनके पैतृक और मामा शहनाई वादक थे।
एक बच्चे के रूप में, बिस्मिल्लाह खान भोजपुरी चैता गाने के लिए बिहारीजी मंदिर जाते थे, जिसके लिए राजा ने उन्हें 1.25 किलो वजन के लड्डू से पुरस्कृत किया।
तीन साल की उम्र में, बिस्मिल्लाह खान बनारस में अपने मामा अली बक्स से मिलने गए। उसने उसे शहनाई बजाते देखा और उस पर मोहित हो गया।
पांच साल की उम्र में उन्होंने इसे बजाना सीखना शुरू कर दिया था। वह पवित्र गंगा नदी के किनारे बालाजी और मंगला मैया के मंदिर में घंटों अभ्यास करते थे।
नदी के बहते पानी ने उन्हें सुधार करने के लिए प्रेरित किया और बिस्मिल्लाह खान ने रागों का आविष्कार किया जिन्हें शहनाई की सीमा से परे माना जाता था।
चौदह साल की उम्र में, उन्होंने इलाहाबाद संगीत सम्मेलन में प्रदर्शन किया और उनकी प्रतिभा की सराहना उस्ताद फैयाज खान ने की।
1938 में, उन्होंने ऑल इंडिया रेडियो के लखनऊ स्टेशन से प्रदर्शन करना शुरू किया। जिस दिन भारत को आजादी मिली उस दिन 15 अगस्त 1947 को बिस्मिल्लाह खान ने लाल किले से प्रदर्शन किया और अपनी शहनाई के जरिए देश का अभिवादन किया।
उन्होंने राग कैफ़ी का पाठ किया जिसके बाद पंडित जवाहरलाल नेहरू का प्रसिद्ध ‘ट्रिस्ट विद डेस्टिनी’ भाषण दिया गया।
बिस्मिल्लाह खान ने दुनिया भर में प्रदर्शन किया। उनका पहला विदेशी प्रदर्शन अफगानिस्तान में था जहां राजा इतने प्रभावित हुए कि उन्होंने उन्हें कई स्मृति चिन्ह भेंट किए।
बिस्मिल्लाह खान ने दो फिल्मों के लिए संगीत तैयार किया – हिंदी फिल्म का शीर्षक – विजय भट्ट द्वारा निर्देशित ‘गूंज उठी शहनाई’ और कन्नड़ फिल्म का शीर्षक – विक्रम श्रीनिवास द्वारा ‘सनाधि अपन्ना’
वह संयुक्त राज्य अमेरिका में लिंकन सेंटर हॉल में प्रदर्शन करने वाले पहले भारतीय थे। उन्होंने मॉन्ट्रियल, कान और टोक्यो में भी प्रदर्शन किया।
तेहरान में, उनके नाम पर एक सभागार का नाम रखा गया था – तहर मस्जिद उस्ताद बिस्मिल्लाह खान।
उस्ताद बिस्मिल्लाह खान ने कहा कि संगीत भारत की सबसे समृद्ध विरासत है और इसे बच्चों को सिखाया जाना चाहिए। हालाँकि उन्होंने पूरी दुनिया की यात्रा की थी, लेकिन वह डुमरांव और बनारस से जुड़ा हुआ था।
एक बार एक छात्र ने उन्हें यूएसए में एक शहनाई स्कूल स्थापित करने के लिए कहा और वहां बनारस के मंदिरों को फिर से बनाने का वादा किया। बिस्मिल्लाह खान ने उससे पूछा कि क्या वह गंगा नदी को भी ले जाएगा, क्योंकि वह उससे भी जुड़ा हुआ था।
बिस्मिल्लाह खान एक मुस्लिम होने के नाते एक धर्मनिरपेक्ष भारतीय का एक सच्चा उदाहरण है, उन्होंने काशी विश्वनाथ मंदिर में शहनाई बजाई। उनके लिए संगीत धार्मिक बंधनों से ऊपर था।
Lesson and Explanation
Passage: EMPEROR Aurangzeb banned the playing of a musical instrument called pungi in the royal residence for it had a shrill unpleasant sound.
shrill: very sharp
unpleasant: something that you dislike
Explanation of the above Passage: Pungi was a musical instrument, the predecessor of the shehnai. When the Mughals ruled India, before the Britishers came, there was a very famous Mughal ruler named Aurangzeb. He did not allow the pungi be played in his royal residence because he felt that it had a shrill, unpleasant sound.
Passage: Pungi became the generic name for reeded noisemakers.
generic name: a name given to a class or group as a whole (Generic name means the scientific name or a broad classification of something)
reeded: wind instruments which have reeds like the flute, the clarinet, etc.
Explanation of the above Passage: So, any musical instrument which is made with reeds like we have flutes, clarinets, they all are classified as ‘pungi’. So pungi is a broad term for any type of instrument which uses wind to produce sound.
Passage: Few had thought that it would one day be revived.
revived: brought back to live.
Explanation of the above Passage: As Aurangzeb has banned all these reeded noisemakers, he had banned pungi in his royal residence, no one thought that one day such noisemakers, such instrument which made unpleasant sound would be played and their sound would be liked by the audience.
Passage: A barber of a family of professional musicians, who had access to the royal palace, decided to improve the tonal quality of the pungi.
tonal quality: sound
Explanation of the above Passage: As the pungi had an unpleasant sound, there was a barber who belonged to a family of professional musicians and he wanted to play the pungi but he knew that the sound produced by pungi was unpleasant and so, he decided to improve the sound.
Passage: He chose a pipe with a natural hollow stem that was longer and broader than the pungi, and made seven holes on the body of the pipe.
hollow: empty from inside
Explanation of the above Passage: This barber took a pipe, a pipe which was a hollow stem. It was longer and broader than the pungi. He made seven holes on the body of the pipe. (If you have seen a flute it is something like this. It is a pipe which is hollow from inside and has holes on it.)
Passage: When he played on it, closing and opening some of these holes, soft and melodious sounds were produced.
Explanation of the above Passage: Then he blew air into the pipe and closed and opened different holes. He found that soft and melodious sounds were produced when he did like this.
Passage: He played the instrument before royalty and everyone was impressed.
Explanation of the above Passage: When the barber played this instrument in the royal court, everyone liked the sound produced by it.
Passage: The instrument so different from the pungi had to be given a new name.
Explanation of the above Passage: The royal court thought that this instrument was different from the pungi and so, it should have a different name also.
Passage: As the story goes, since it was first played in the Shah’s chambers and was played by a nai (barber), the instrument was named the ‘shehnai
Explanation of the above Passage: Now there is a story behind the name given to this instrument – this instrument was played for the first time in the royal residence of the Shah, Shah was a name given to king. (Mughals called the kings as Shah.) As the ‘nai’, that is the Indian term used for a barber had played it for the first time, they called it ‘shehnai’. So, the first part is ‘sheh’ which stands for ‘shah’ and the second part ‘nai’ that is a barber. So, this instrument was named as shehnai.
Passage: The sound of the shehnai began to be considered auspicious.
auspicious: promising to bring good fortune
Explanation of the above Passage: The sound which was produced by shehnai was considered to be a good omen. And so, it was played on good occasions.
Passage: And for this reason it is still played in temples and is an indispensable component of any North Indian wedding.
indispensable: without which a piece of work cannot be done, something which is necessary
Explanation of the above Passage: You can hear shehnai being played at many temples and at weddings also.
Passage: In the past, the shehnai was part of the naubat or traditional ensemble of nine instruments found at royal courts.
Ensembles (pronounced ‘onsomble’): things (here, instruments) considered as a group
Explanation of the above Passage: The shehnai was a part of the naubat. (Naubat is an urdu word and it means traditional ensemble that means a traditional group of nine musical instruments.) These nine musical instruments were played at the royal court and shehnai was also a part of naubat.
Passage: Till recently it was used only in temples and weddings. The credit for bringing this instrument onto the classical stage goes to Ustaad Bismillah Khan.
Explanation of the above Passage: The shehnai was played at the king’s court, in temples and at weddings. It was used on stage in performances and the credit for that goes to Utsad Bismillah Khan who was a legendary shehnai player and people wanted to hear him play the shehnai.
Passage: As a five-year old, Bismillah Khan played gilli danda near a pond in the ancient estate of Dumraon in Bihar.
Explanation of the above Passage: When Bismillah Khan was five years old, he lived in an old estate named Dumraon in present day Bihar estate. He used to play gilli danda, an old sport quite similar to cricket.
Passage: He would regularly go to the nearby Bihariji temple to sing the Bhojpuri ‘Chaita’, at the end of which he would earn a big laddu weighing 1.25 kg, a prize given by the local Maharaja.
Laddu or laddoo are sphere-shaped sweets originated in the Indian subcontinent.
Explanation of the above Passage: Also, he would go to the nearby Bihariji temple. Although Bismillah Khan was a Muslim, he would go to the temple and he would sing this song – ‘Chaita’ in Bhojpuri language. (Bhojpuri language is spoken in an area of Bihar.) When he would finish reciting the song, he would get a big laddu as reward and the weight of that laddu was 1.25 kg. This was a prize given to Bismillah Khan by Local maharaja for singing the chaita.
Passage: This happened 80 years ago, and the little boy has travelled far to earn the highest civilian award in India — the Bharat Ratna.
Explanation of the above Passage: The writer says that this incident occurred when Bismillah was five years old, that he would get this Laddu as a reward. And after Eight years, Bismillah Khan earned the highest civilian award in India – the Bharat Ratna. So, this is the distance that he has travelled in his life. At five years of age, he would get a 1.25 kg laddu as a reward and at eighty, he achieved the highest civilian award in India that is the Bharat Ratna.
Passage: Born on 21 March 1916, Bismillah belongs to a well-known family of musicians from Bihar.
Explanation of the above Passage: Bismillah Khan was born on 21 March 1916 in a family of Musicians in Bihar.
Passage: His grandfather, Rasool Bux Khan, was the shehnai-nawaz of the Bhojpur king’s court. His father, Paigambar Bux, and other paternal ancestors were also great shehnai players.
paternal ancestors: ancestors of the father
Explanation of the above Passage: The lineage on his father’s side was full of great shehnai players. We can say that Bismillah Khan ji acquired the skill of playing the shehnai from his ancestors. His grandfather was a great shehnai player. He played the shehnai in the court of the Bhojpur king. His father and all paternal ancestors were also great shehnai players.
Passage: The young boy took to music early in life.
Explanation of the above Passage: Bismillah Khan ji also started learning music at an early age.
Passage: At the age of three when his mother took him to his maternal uncle’s house in Benaras (now Varanasi), Bismillah was fascinated watching his uncles practice the shehnai.
Explanation of the above Passage: When Bismillah Khan ji was just 3 years’ old, his mother took him to her parents’ house – to his maternal uncles. (Maternal uncles mean the lineage on one’s mother’s side.) They lived in Benaras (Benaras is today called Varanasi.) And when Bismillah Khan saw his maternal uncles play the shehnai, he was attracted towards it and he also wanted to learn playing it.
Passage: Soon Bismillah started accompanying his uncle, Ali Bux, to the Vishnu temple of Benaras where Bux was employed to play the shehnai.
Explanation of the above Passage: Bismillah Khan started going with his uncle, Ali Bux to the Vishnu temple in Benaras. Ali Bux was on a duty to play the shehnai at the Vishnu temple of Benaras.
Passage: Ali Bux would play the shehnai and Bismillah would sit captivated for hours on end.
on end: for a very long time without stopping, continuously
Explanation of the above Passage: When Bismillah Khan saw his uncle, Ali Bux play the shehnai, he would get attracted towards it that he would sit there for hours, listening to him play the shehnai.
Passage: Slowly, he started getting lessons in playing the instrument and would sit practicing throughout the day.
Explanation of the above Passage: Gradually Bismillah Khan also started learning playing the shehnai and he would practice throughout the day. He never got tired, he was so captivated by the shehnai.
Passage: For years to come the temple of Balaji and Mangala Maiya and the banks of the Ganga became the young apprentice’s favourite haunts where he could practice in solitude.
haunt: place you like come, where you like to visit many times a day
solitude: being alone, single
Explanation of the above Passage: For many years, Utsad Bismillah Khan remained in Benaras. He would visit the temple of Balaji, temple of Mangala Maiya and would remain on the bank of river Ganga, where he would practice playing the shehnai all by himself.
Passage: The flowing waters of the Ganga inspired him to improvise and invent ragas that were earlier considered to be beyond the range of the shehnai.
Explanation of the above Passage: Here we come to know about the talent of Ustaad Bismillah Khan. He was so inspired and motivated by the river Ganga, it provoked him to improve his performance and he also invented many ragas that were considered impossible to be produced by a shehnai. Ustaad Bismillah Khan worked hard, and invented different sounds with the shehnai.
Passage: At the age of 14, Bismillah accompanied his uncle to the Allahabad Music Conference.
Explanation of the above Passage: When Bismillah Khan was 14 years of age, he accompanied his maternal uncle, Ali Bux to the Allahabad Music Conference.
Passage: At the end of his recital, Ustaad Faiyaz Khan patted the young boy’s back and said, “Work hard and you shall make it.”
Explanation of the above Passage: Ustaad Faiyaz Khan (he was a renowned classical vocalist) was impressed by his performance and said that if he would work hard like that, he would make a name in the field of music.
Passage: With the opening of the All India Radio in Lucknow in 1938 came Bismillah’s big break. He soon became an often-heard shehnai player on radio.
Explanation of the above Passage: When the All India Radio started it’s a Radio station at Lucknow, Ustaad Bismillah Khan started performing from there. Often, his shehnai performance would be on air.
Passage: When India gained independence on 15 August 1947, Bismillah Khan became the first Indian to greet the nation with his shehnai.
Explanation of the above Passage: Ustaad Bismillah Khan was the first Indian to greet the entire nation through his shehnai. He played the shehnai from the Red Fort on this memorable occasion.
Passage: He poured his heart out into Raag Kafi from the Red Fort to an audience which included Pandit Jawaharlal Nehru, who later gave his famous ‘Tryst with Destiny’ speech.
Explanation of the above Passage: The Raag that was played by Ustaad Bismillah Khan on the occasion of the Independence of India was Raag Kafi. He played it from the Red Fort. After his performance, the first Prime Minister of India, Pandit Jawaharlal Nehru gave his famous speech – ‘Tryst with Destiny’.
Passage: Bismillah Khan has given many memorable performances both in India and abroad. His first trip abroad was to Afghanistan where King Zahir Shah was so taken in by the maestro that he gifted him priceless Persian carpets and other souvenirs.
taken in by: attracted or charmed by
souvenirs: things given in memory of a place, person or event
Explanation of the above Passage: Bismillah Khan gave many performances in India and abroad. Some of them are memorable like the one at Afghanistan. The King of Afghanistan, King Zahir Shah really liked Bismillah Khan’s performance and he gifted him many things which were made in Afghanistan like Persian carpets, etc. so that Ustaad Bismillah Khan would remember his first visit abroad that was to Afghanistan.
Passage: The King of Afghanistan was not the only one to be fascinated with Bismillah’s music. Film director Vijay Bhatt was so impressed after hearing Bismillah play at a festival that he named a film after the instrument called Gunj Uthi Shehnai.
Explanation of the above Passage: There were many other people also who were attracted to his shehnai’s music. ‘Gunj Uthi Shehnai’ was a name of a Hindi movie. It was made by Vijay Bhatt. He was a film director and he really liked the sound of the shehnai played by Bismillah Khan and that is why he named his movie as Gunj Uthi Shehnai.
Passage: The film was a hit, and one of Bismillah Khan’s compositions, “Dil ka khilona hai toot gaya …,” turned out to be a nationwide chartbuster!
chartbuster: record breaker
Explanation of the above Passage: There was a song in movie Gunj Uthi Shehnai named “Dil ka khilona hai toot gaya….”. It was composed by Ustaad Bismillah Khan and became a chartbuster, it brook all record.
Passage: Despite this huge success in the celluloid world, Bismillah Khan’s ventures in film music were limited to two: Vijay Bhatt’s Gunj Uthi Shehnai and Vikram Srinivas’s Kannada venture, Sanadhi Apanna.
celluloid: old fashioned way of referring to films
venture: project that often involves risk, something which has a lot of risk
Explanation of the above Passage: Although this song was a chartbuster, Bismillah Khan got a lot of success in this film, but he composed music for only two films. The names of the movies were – Gunj Uthi Shehnai made by Vijay Bhatt and a Kannada Movie made by Vikram Srinivas called ‘Sanadhi Apanna’.
Passage: “I just can’t come to terms with the artificiality and glamour of the film world,” he says with emphasis
Emphasis: to lay stress on something
Explanation of the above Passage: Ustaad Bismillah khan would say that he did not like the artificial world of films and the glamour that was there in the film world. That was why he did not compose music for many movies.
Passage: Awards and recognition came thick and fast.
thick and fast: he got a lot of awards and was recognized at many places
Explanation of the above Passage: Bismillah Khan got a lot of recognition and was honoured with awards.
Passage: Bismillah Khan became the first Indian to be invited to perform at the prestigious Lincoln Centre Hall in the United States of America. He also took part in the World Exposition in Montreal, in the Cannes Art Festival and in the Osaka Trade Fair.
Explanation of the above Passage: Bismillah Khan ji performed all over the world. He performed in United States of America at the Lincoln Centre Hall, he performed in Montreal, Australia in the World Exposition, he performed at the Cannes Art Festival and he also performed in Japan at the Osaka Trade Fair.
Passage: So well known did he become internationally that an auditorium in Teheran was named after him — Tahar Mosiquee Ustaad Bismillah Khan.
Explanation of the above Passage: Teheran is located in Iran. Bismillah Khan was so famous all over the world that in Teheran, an auditorium has been named after him.
Passage: National awards like the Padmashri, the Padma Bhushan and the Padma Vibhushan were conferred on him.
conferred: given, usually an award or a degree
Explanation of the above Passage: Ustaad Bismillah Khan has been awarded with these national awards.
Passage: In 2001, Ustaad Bismillah Khan was awarded India’s highest civilian award, the Bharat Ratna.
With the coveted award resting on his chest and his eyes glinting with rare happiness he said, “All I would like to say is: Teach your children music, this is Hindustan’s richest tradition; even the West is now coming to learn our music.’’
coveted: much desired
Explanation of the above Passage: When Ustaad Bismillah Khan received India’s highest civilian award – Bharat Ratna in the year 2001, his eyes were shining. He was very happy because his hard work had been recognized and he gave an important message to the country. He told all the Indians to teach music to their children because music is the richest tradition of India. He said that even the western countries wanted to learn India’s music.
Passage: In spite of having travelled all over the world — Khansaab as he is fondly called — is exceedingly fond of Banaras and Dumraon and they remain for him the most wonderful towns of the world.
Explanation of the above Passage: Although Ustaad Bismillah Khan ji had travelled all over the world, he was given so much respect and recognition, he remained rooted. Benaras, where he learned music and Dumraon, where he was born and brought up were the two most wonderful towns of the world for him. He was so down to earth that although he had travelled all over the world, still he was attached to his birth place.
Passage: A student of his once wanted him to head a shehnai school in the U.S.A., and the student promised to recreate the atmosphere of Banaras by replicating the temples there. But Khansaab asked him if he would be able to transport River Ganga as well.
replicating: making a copy of something
Explanation of the above Passage: There was a student of Ustaad Bismillah Khan and he wanted that Ustaad Bismillah Khan should set up a shehnai school in USA. He promised that he would recreate the temple of Benaras in America for Ustaad ji as he would miss it. Now Ustaad Bismillah Khan was attached to River Ganga also. So, he asked his student that would he transport the River Ganga also to America. So, he wanted to say that he could not leave India – He was attached not only to the temples of Benaras but also to the holy river Ganga.
Passage: Later he is remembered to have said, “That is why whenever I am in a foreign country, I keep yearning to see Hindustan. While in Mumbai, I think of only Banaras and the holy Ganga. And while in Banaras, I miss the unique mattha of Dumraon.”
yearning – longing, having a desire for something
Explanation of the above Passage: Ustaad Bismillah Khan said that whenever he visited any foreign country, he longed to see India. He wanted to return to India. And then he says that when he was in India, in Mumbai, he yearned to visit Benaras and the Ganga River. And when he was in Benaras, he missed his birth place Dumraon and the Mattha where he sang chaita and was rewarded with the laddu of 1.25 kg weight by the Maharaja.
Passage: Ustaad Bismillah Khan’s life is a perfect example of the rich, cultural heritage of India, one that effortlessly accepts that a devout Muslim like him can very naturally play the shehnai every morning at the Kashi Vishwanath temple.
devout: believing strongly in a religion and obeying its laws and following its practices
Explanation of the above Passage: Here the writer says that Ustaad Bismillah Khan was a perfect example of the rich cultural heritage of India. His work was beyond the religion barriers. Although he was a strict Muslim, he followed the Muslim laws but every morning he would play the shehnai at the Kashi Vishwanath Temple, which was a Hindu temple. This shows that he did not have the barriers of religion in his mind. He was a true Indian. He considered music to be India’s richest cultural heritage.
Passage: Ustaad Bismillah Khan passed away on 21 August 2006 at the age of ninety after a prolonged illness. He was given a state funeral and the Government of India declared one day of national mourning.
Explanation of the above Passage: Ustaad Bismillah Khan had been ill for a long time and he died on 21 August 2006 at the age of ninety. The entire country mourned the death of the legendary musician. There was a holiday for one day and he was given a state funeral.
Question and Answers
Tick the right answer.
- The (shehnai, pungi ) was a ‘reeded noisemaker.’
- (Bismillah Khan, A barber, Ali Bux) transformed the pungi into a shehnai.
- Bismillah Khan’s paternal ancestors were (barbers, professional musicians).
- Bismillah Khan learnt to play the shehnai from (Ali Bux, Paigambar Bux, Ustaad Faiyaaz Khan)
- Bismillah Khan’s first trip abroad was to (Afghanistan, U.S.A., Canada).
2. A barber
3. professional musicians
4. Ali Bux
Find the words in the text which show Ustaad Bismillah Khan’) in the correct column. Discuss your answers in class.4s feelings about the items listed below. Then mark a tick () in the correct column. Discuss your answers in class.
Bismillah Khan’s feelings about
1. teaching children music
2. the film world
3. migrating to the U.S.A.
4. playing at temples
5. getting the Bharat Ratna
6. the banks of the Ganga
7. leaving Benaras and Dumraon
Answer these questions in 30–40 words.
1. Why did Aurangzeb ban the playing of the pungi?
A. Aurangzeb disliked the sound produced by the pungi. It was considered to be a reeded noisemaker as it was loud, shrill and unpleasant. So, he banned playing of pungi in his royal court.
2. How is a shehnai different from a pungi?
A. Although the shehnai is also a reeded musical instrument like the pungi, it differs in shape, size and the quality of sound produced by it. It was made with a hollow stem which was longer and broader than the pungi and had seven holes on it. The sound produced by the shehnai was soft and melodious in contrast to the shrill noise made by the pungi.
3. Where was the shehnai played traditionally? How did Bismillah Khan change this?
A. Traditionally, the shehnai was played at the royal court as part of the traditional collection of musical instruments called ‘naubat’, in the temples and at weddings. Bismillah Khan invented new ragas with the shehnai and thus, brought it on the stage among other classical musical instruments.
4. When and how did Bismillah Khan get his big break?
A. Bismillah Khan got his big break when in 1938 the All India Radio opened its Radio Station at Lucknow. He played shehnai from the radio station regularly and his music became popular through it.
5. Where did Bismillah Khan play the shehnai on 15 August 1947? Why was the event historic?
A. On 15th August 1947, Bismillah Khan played the shehnai from the Red Fort and greeted the entire country. The event was historic as it was the day when India gained independence from the British rule. Bismillah’s performance was followed by the historic speech – ‘Tryst with Destiny’ given by India’s first Prime Minister – Pandit Jawaharlal Nehru.
6. Why did Bismillah Khan refuse to start a shehnai school in the U.S.A.?
A. Bismillah Khan was attached to the temples of Benaras and the river Ganga. He could not leave them and so, refused to set up a shehnai school in the USA.
7. Find at least two instances in the text which tell you that Bismillah Khan loves India and Benaras.
A. Bismillah’s love for India and Benaras are shown by the fact that he refused to set up a shehnai school in USA as he could not leave Benaras and river Ganga. Secondly, when he was honoured with the Bharat Ratna, he declared that Indian Classical music was India’s richest heritage.